Berkman Briefing: Rip, Mix, and Burn - Lessig's Case for Building a Free Culture
In a low-lit auditorium at Harvard University's Radcliffe Institute for Advanced Study, Stanford Law Professor Lawrence Lessig leaned against the podium and clicked a remote control. Above him, a video with Peanuts cartoons filled the screen—Linus sawed on a cello as a familiar chord progression began. My baby don’t mess around/ Because she loves me so/ And this I know for sure… The audience shifted uncomfortably. OutKast? Was he really playing OutKast in the middle of a speech at Radcliffe? The characters danced in syncopation with the overlaid music, and by the time the Hey Ya! chorus started, disbelief had given way to laughter. The cartoon was brilliant, bizarre, creative, and funny.
And illegal, Lessig added. Under the current copyright regime, digital parodies like the OutKast-Peanuts hybrid are considered piracy. In his speech, On Rebuilding a Free Culture, Lessig criticized this conception of copyright because it denies the public access to creative works and stifles the creative potential the Internet.
authored by mary bridges, published on 18 feb 2004