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You have most probably heard by now that three Emirati men were allegedly thrown out of a cultural Janadriyah Festival by the Saudi religious police (pl. mutawaeen) for “being too handsome.” Most reports, however, have claimed the three men were actually deported from the Kingdom, itself, for their ‘seductive' lure that was apparently going to send the attending women into an incontrollable hormonal flux. Fementertainment blog, Jezebel, was amongst the first to reveal the identity of one of the alleged Emirati men, Omar Borkan Al Gala – a photographer, model, actor and poet. The internet went into self-fanning mode as several images of the young man went viral and thousands clamored to follow him on social media websites.
Unfortunately, no one in the English press bothered to actually fact check the story.
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From Islawmix, "The Man Too Handsome for Saudi Arabia Who Wasn’t"
About Islawmix | @islawmix
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Charles Mann offers a big story in the latest issue of the Atlantic. It’s 11,000 words, and it’s based around an audacious premise: the end of energy scarcity. The peg for the story is Japan’s ongoing research on methane hydrate, an amalgam of natural gas trapped in water ice that occurs in oceans around the world. If methane hydrate can be harvested, Mann tell us, the global supply of hydrocarbon fuels are virtually unlimited. This, he argues, would have massive geopolitical and strategic implications, as the history of the twentieth century can be read in part through the lens of wealthy nations without oil seeking the black stuff in less developed lands. New forms of power might center on who can extract ice that burns like natural gas.
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From Ethan Zuckerman's blog post, "Big stories and little details: what Charles Mann misses"
About Ethan | @ethanz
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Remixing — the reworking and recombination of existing creative artifacts — represents a widespread, important, and controversial form of social creativity online. Proponents of remix culture often speak of remixing in terms of rich ecosystems where creative works are novel and highly generative, however, examples like this can be difficult to find. Although there is a steady stream of media being shared freely on the web, only a tiny fraction of these projects are remixed even once. On top of this, many remixes are not very different from the works they are built upon. Why is some content more attractive to remixers? Why are some projects remixed in deeper and more transformative ways?
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From Andrés Monroy-Hernández's blog post (co-written with Mako Hill), "The Remixing Dilemma: The Trade-Off Between Generativity and Originality"
About Andrés | @andresmh
About Mako | @makoshark
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Harvard Law School has announced the appointment of Urs Gasser LL.M. ’03, executive director of the Berkman Center for Internet & Society, as a Professor of Practice.
The professorships of practice at Harvard Law School are given to outstanding individuals whose teaching is informed by extensive expertise from the worlds of law practice, the judiciary, policy and governance.
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From Harvard Law School, "Gasser appointed professor of practice"
About Urs | @ugasser
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