Copyright in Cyberspace

From Technologies and Politics of Control
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April 5

The Internet has enabled individuals to become involved in the production of media and to distribute their contributions widely at a very low cost. The former bastion of the entertainment industry is opening up to what many are calling a democratization of culture. The copyright doctrine of fair use seemingly bolsters the right to "recut, reframe, and recycle" previous works, but the protection fair use gives to those re-purposing copyrighted material is notoriously uncertain.

Digital and file-sharing technologies also spawned the proliferation of sharing of media and music, which has led to a number of controversial legal and technological strategies. The "notice-and-takedown" provisions of the Digital Millennium Copyright Act ("DMCA") allow Internet service providers to limit their liability for the copyright infringements of their users if the ISPs expeditiously remove material in response to complaints from copyright owners. The DMCA provides for counter-notice and "put-back" of removed material, but some argue that the statutory mechanism can chill innovative, constitutionally-protected speech.

This class provides an overview of some major copyright law concepts and takes up some of the issues swirling around copyright in cyberspace.

Assignments

Required Readings

Optional Readings


Class Discussion

For the mind map software, I found VUE easy to use. I was especially impressed by the rendering in PDF. Everything fit neatly on the page. This was a big surprise after being a Microsoft Office User ;-). Also, PC Users, if you need to print to PDF, PDF Creator is wonderful. --SCL 22:17, 3 April 2011 (UTC)

Links