Copyright 1997 Times Newspapers Limited
The Times

Branded for Life

By Grace Bradberry

Having a designer logo tattooed on to one's ankle or wrist has become the ultimate in chic. Grace Bradberry reports

Picture the scene. Charlotte - Charlie to her friends - stands before the mirror in her Notting Hill flat, preparing for a big night out. She is in torment. No style magazine, ever, has sanctioned the wearing of a Gucci-logo belt with Nike trainers. What is she to do? Must she really choose between the two names that mean most to her in the world?

Fortunately, no. One afternoon of exquisite pain will ensure that she never again has to face this dilemma (though she may one day need laser surgery as a result).

An entire page of this month's issue of The Face is devoted to an image of a woman's leg bearing the Gucci logo just above the latest Nike trainer. In a trend that gives new meaning to the phrase "fashion victim", tattoo parlours are facing an increasing number of requests for corporate branding on their clients' flesh. "This winter's label-for-life ethos has nothing to do with footie bonding," writes Peter Lyle in the style bible, "and everything to do with conspicuous consumption, posh sex and the current couture class system."

Couture used to be a private language, summed up by Nancy Mitford in Love in a Cold Climate . Fanny, disappointed by the Schiaparelli jacket her mother has given her, says: "It seemed to me quite plain and uninteresting except for the label in its lining, and I longed to put this on the outside so that people would know where it came from." Then along comes Cedric, who spots it at a glance: "My dear, one can always tell."

"It used to be that the more you spent, the less visible the label was," says Mr Lyle. "But the new Gucci shoes have the Gs." The hierarchy of who owns what has reasserted itself with a vengeance in the late 1990s, and there are no longer any prizes for discretion, and few for discernment.

Still, having Gucci drilled on your ankle is a particularly reckless act. The history of this fashion house well illustrates how fickle fashion can be. One of the century's most chic luxury goods companies, it plunged into apparently terminal naffdom before enjoying a resurgence courtesy of Tom Ford in the 1990s. "We won't do logos," says Andy Dixon, one of London's best-known tattoo artists, who has a parlour called Skinflash in Kensington. "We won't do things that are going to be a fad and that people will live to regret. We certainly don't do pop groups - (clients would) feel like prats at 65."

Mr Dixon, who has been in business for 18 years and is, "self-taught, in Her Majesty's big house", likes to do artistic work. He also talks longingly of his old clientele. "There are no sailors and dodgy people any more," he says. "Instead we get Sloane Rangers who have come along to upset Mummy, and professional women in their mid-twenties."

Hence the feature in Tatler earlier this year, which recom mended that the tattoos be tucked away on the heel of the foot, nape of the neck or inside of the wrist: "Like great perfumes applied well, tattoos shouldn't smack you in the face, but hint at something delicious." And what could be more delicious than a pricey designer name?

Models, of course, cannot show any brand allegiances. This has not stopped them from succumbing to the vogue for flesh decoration. Kate Moss has a noncommittal heart on the back of her hand, while Danielle Z has a star hidden away on the back of her head. The name Shangri-La circles Georgina Grenville's navel.

You might think the designers themselves would recoil. But they are as drawn to the art as the rest of the fashion pack. Both Jean Paul Gaultier and John Galliano have designed realistic body stockings covered in tattoos. Clements Ribeiro have produced tattooed tights, while British designer Fabio Piras sent models down the catwalk with barbed-wire markings across their mouths. And a few years ago daisy-chain designs around the ankles were the epitome of rock chic.

Not any more, which is why anyone with ambitions to reinvent themselves will go for something less permanent. Urban Decay's home body paint kits have become popular. But there are still enough brave souls to give the tattoo artists a laugh. "We had a man who wanted a Rolex (watch) crown, with the word Rolex underneath it," says Kate Wilson, business manager of Into You, in Clerkenwell, North London. "We did it for him. We've also done the Fairy Liquid baby for someone. None of us can understand it at all."


November 20, 1997, Thursday
SECTION: Features